
Technique de mon langage musical.
(Technique of my musical language).
It is hoped that this page will serve as a basic introduction to how Messiaen developed his use of rhythm and later melody through his modes.
The first few examples are of rhythms - the fundamental building blocks Messiaen used to develop his unique approach to rhythm - you will need the book(s) for cross reference. Technique de mon langage musical - Alphonse Leduc & Co, Paris.
I am grateful to John Crellin who initially compiled these files.
| Example | Chapter / heading / source | Midi file |
| Chapter 2 | Râgavardhana, Hindu Rhythm | |
| 1 | Ametrical music Strawinsky Sacre du Printemps, Danse sacrale. |
Listen |
| 2 | simhavikrîdita | Listen |
| 3 | Râgavardhana | Listen |
| 4 | - modification 1 | Listen |
| 5 | - modification 2 | Listen |
| Chapter 3 | Rhythms with Added Values | |
| 6 | Added value Three rhythms |
Listen |
| 7 | - modification of first | Listen |
| 8 | - modification of second | Listen |
| 9 | - modification of third | Listen |
| 10 | Use of the added value les Anges (Messiaen, from La Nativité du Seigneur) |
Listen |
| 11 | les Anges (Messiaen, from La Nativité du Seigneur) | Listen |
| 12 | les bergers (Messiaen, from La Nativité du Seigneur) | Listen |
| 13 | Danse de la fureur, pour les sept trompettes | Listen |
| 14 | Rhythmic preparations and descents le Collier |
Listen |
| 15 | Paysage | Listen |
| 16 | Epouvante | Listen |
| 17 | le collier | Listen |
| 18 | le Verbe | Listen |
| 19 | - | Listen |
| Chapter 4 | Augmented or Diminished Rhythms and a Table of These Rhythms | |
| 20 | Augmented or diminished rhythms Epouvante |
Listen |
| 21 | Addition or withdrawal of the dot Dieu parmi nous |
Listen |
| 22 | le Verbe | Listen |
| 23 | - | Listen |
| 24 |
These are a series of examples of augmentation of a rhythm followed by
diminution. There are 7 examples: |
<<<<< |
| 25 | Inexact augmentations Minuit pile et face |
Listen |
| 26 | Arc-en-ciel d'innocence | Listen |
| 27 | (The strict augmentation of above.) | Listen |
| Chapter 5 | Nonretrogradable Rhythms | |
| 28 | Retrograde rhythms | Listen |
| 29 | Retrograde of 28 | Listen |
| 30 | Nonretrogradable rhythms (palindromes) | Listen |
| 31 | - example 2 | Listen |
| 32 | - example 3 | Listen |
| 33 | Danse de la fureur, pour les sept trompettes. | Listen |
| 34 | The melodic movement of 33 | Listen |
| Chapter 6 | Polyrhythm and Rhyhmic Pedals | |
| 35 | Superposition of rhythms of unequal length le Verbe |
Listen |
Part of Par Lui Tout a été fait to listen to.
Harry Partch ~ Steve Reich ~ Early electronic Instruments ~ Pierre Boulez ~ Markus Stockhausen ~ Karlheinz Stockhausen